4/25/2021 0 Comments Izotope Ozone 8
Harrison Shimazu is the editor of the Splice blog and a composer for video games and film.At first we were in production, where we created compelling vocal harmonies with VocalSynth 2.
Izotope Ozone 8 How To Mix OurOnce we finished laying down our musical ideas, we explored mixing, learning how to mix our lead vocals with the rest of the track. Were now ready to apply the final touch to our track lets finish it off with some mastering, which well implement with iZotopes Ozone 8 Advanced. Splice the project to download the Logic session and experiment with it yourself. Lets explore how we achieved this master using reference tracks and Ozone 8 Advanced. ![]() A fresh pair of ears that hasnt listened to the track hundreds of times can help make less biased adjustments that you may have not considered. However, it means that you have to be extra mindful of using tools that help you stay grounded and objective. Metering and room treatment are key, but they can take time and resources to set up. Using reference tracks (professionally mixed and mastered tracks that you can measure your master against), however, is a habit that you can start practicing immediately. Ozone 8 Advanceds Master Assistant allows you to maximize the power of using references in just several simple steps. Before we pull up Master Assistant, lets first add some reference tracks by hitting the Reference button on the bottom right of the GUI. ![]() For this track, Ive uploaded three songs that I want to emulate the masters of. Once you hit Next, Master Assistant will prompt you to start feeding it audio. Its important that you play the loudest part of your song here in my case, Ill play the second half of the excerpt, where the entire arrangement kicks in. As soon as you start playing audio, Master Assistant will get to work by implementing corrections and enhancements that bring your track closer to your reference tracks loudness, spectral balance, etc. I liked the EQ adjustments that Master Assistant made, but I immediately felt that the Maximizer (what Ozone calls their limiters) was doing too much work in bringing up the gain. As a general rule, you want to stage your gain at the mastering stage. Though its admittedly satisfying to turn on the limiter and hear your loudness triple, this isnt good for your mix youll be prone to pumping and tons of transient loss due to the limiter chopping off large amounts of your signal. Increasing loudness is undoubtedly still a part of the mastering process, but prioritize preserving dynamic range and crafting a final product that sounds exciting and clean, no matter what level its played at. Ozone 8 Advanced makes this easy simply return to the Reference window to select any reference track, identify a particular section in the waveform that you want to AB (Ozone intelligently places some adjustable markers for you), and hit the circular icon next to the Reference button to seamlessly go back and forth between your track and the reference. Use it primarily as an intelligent suggestion that you can work off of, and dont be afraid to challenge its settings after youve done your own AB-ing. If you have any questions, leave them in the comments below.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |